By Dwight V. Swain
A jargon-free guide at the fundamentals of constructing attention-grabbing fictional characters.
Vibrant, plausible characters aid force a fictional tale. in addition to a smart plot, well-drawn characters make us are looking to proceed interpreting a unique or end staring at a film. In developing Characters, Dwight V. Swain exhibits how writers can invent attention-grabbing characters and increase them in order that they flow a narrative along.
“The middle of character,” he says in bankruptcy 1, “lies in each one person tale person’s skill to care approximately whatever; to believe implicitly or explicitly, that whatever is important.” construction on that foundation—the means to care—Swain takes the would-be author step by step throughout the basics of discovering and constructing “characters who flip you on.” This simple yet thought-provoking how-to is a precious instrument for either the amateur and the pro author.
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Extra info for Creating Characters: How to Build Story People
As you find them, make them part of your private kit of literary tools—your skill will increase and your work will improve in keeping with your taste and the direction of your aspirations. So, here we’ll start with the broad strokes of a barn brush, and don’t be disdainful of the techniques this approach offers. It works, believe me. Indeed, if you’re of an analytic turn of mind, you’ll soon discover that, each in his or her own way, the men and women who created the world’s classics used the same devices presented here.
Here we see not only physical details, but a trait of candor: a character not afraid to report honestly on what she sees in the mirror. ” And in her analogy — “the color of the limestone monuments raised by the Mayas one thousand years ago”—establishes her intelligence and the focus of her interests. ” Is this a tag of appearance, or manner, or attitude? It doesn’t really matter. Here we see a judgment of one person by another, captured in a phrase. “... forty-seven years old, going on seventy” is a tag that says it all, even though more details follow.
Now you can’t place her. ” your wife reminds you. “She was the loud, pushy one. ” Indeed, now, you do remember. Because your wife has given Woman labels. She has defined Woman as loud, pushy, and travel agent. An important step, that, for we live in a world of labels, of identifying designations. One way or another, each of us makes an impression on those around us. Our friends and associates think of us as bumbling or belligerent, active or anemic, crude or crabby. Justly or otherwise, we go through life cataloged as sinner or saint, extrovert or egghead, nice or nasty.