Download Dwight Macdonald on Culture: The Happy Warrior of the Mind, by Tadeusz Lewandowski PDF
By Tadeusz Lewandowski
Dwight Macdonald used to be the main well known excoriator of mass tradition within the Nineteen Fifties and ’60s. seeing that that point his popularity has no longer fared good. Derided as elitist and passé, his tracts now symbolize every thing wrong-headed approximately mid-century cultural feedback. still, Macdonald continues to be correct and merits reconsideration. His detractors, although uncovering a lot of Macdonald’s failings, have partly misunderstood him, whereas the sector of cultural reports has misclassified his essays within the radical instead of conservative culture of feedback. Dwight Macdonald on tradition seeks to amend prior misconceptions, delivering new views on a determine who grappled with problems with tradition that stay ever-pertinent.
Read Online or Download Dwight Macdonald on Culture: The Happy Warrior of the Mind, Reconsidered (Katowice Interdisciplinary and Comparative Studies: Literature, Anthropology and Culture, Volume 3) PDF
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Additional info for Dwight Macdonald on Culture: The Happy Warrior of the Mind, Reconsidered (Katowice Interdisciplinary and Comparative Studies: Literature, Anthropology and Culture, Volume 3)
Sample text
68 Perhaps needless to mention, this demand for social analysis and intricate density in art was an off-putting model for a shared, universal culture whose purpose was to tend to the concerns of average people. Regardless, PR’s cosmopolitan intellectual critique denounced all forms of artistic expression that did not take into account the complexity of modern existence, and instead offered one-dimensional, mechanical answers to life’s dilemmas. ”70 Such interest in the avant-garde extended to Russian cinema after the October Revolution (particularly for Macdonald), and its radical use of collage and montage techniques, which broke the banal grip of common perspective and realistic representation.
Epstein, ‘Dwight Macdonald: Sunburned by Ideas,’ online. 57 Thus despite his solid origins in the upper-classes and even his marriage to New York debutante Nancy Rodman in 1934, Macdonald’s interest in socialism and hatred of capitalism only grew. Inevitably, this new political and social perspective was reflected in his US Steel article for Fortune. Macdonald’s tenure at the magazine abruptly ended in 1936, when his critical series on the notorious monopoly reached the editor’s desk prefaced with a quote from Lenin’s Imperialism.
Aaron Copland drew on western myths and folk melodies for Billy the Kid (1938), and George Gershwin’s opera Porgy and Bess (1935) dealt with the lives of sympathetic African Americans in Charleston, Virginia. As the decade ended, a fascination with America’s past set in. Historical recreations of colonial village life became regular outing-places, and historical novels such as Margaret Mitchell’s Gone with the Wind (1938) became best sellers. 83 Macdonald and PR viewed the Popular Front’s devotion to American expressive forms as an artistic and political dead end that ignored the transformative superiority of the avant-garde in favor of a complacent and dumb patriotism.