Download Ender's Game and Philosophy: The Logic Gate is Down (The by Kevin S. Decker PDF
By Kevin S. Decker
A danger to humanity portending the tip of our species lurks within the chilly recesses of area. Our in basic terms desire is an eleven-year-old boy.
Celebrating the long-awaited unlock of the motion picture version of Orson Scott Card's novel approximately hugely educated baby geniuses scuffling with a race of invading extraterrestrial beings, this number of unique essays probes key philosophical questions raised within the narrative, together with the ethics of kid squaddies, politics on the net, and the morality of warfare and genocide.
unique essays dissect the varied philosophical questions raised in Card's best-selling sci-fi vintage, winner of the Nebula and Hugo Awards and which has been translated in 29 languages
e-book coincides with deliberate free up of significant movie version of Ender's online game starring Asa Butterfield and Harrison Ford
Treats a wealth of middle modern concerns in morality and ethics, together with baby squaddies, the simplest form of schooling and the use and misuse of worldwide communications for political purposes
A stand-out addition to the Blackwell Philosophy and pa tradition sequence
Read Online or Download Ender's Game and Philosophy: The Logic Gate is Down (The Blackwell Philosophy and Pop Culture Series) PDF
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Retail EPUB, contains TOC/chapters
eISBN: 978-0-06-207494-2
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Additional resources for Ender's Game and Philosophy: The Logic Gate is Down (The Blackwell Philosophy and Pop Culture Series)
Example text
More importantly, Kitwana reiterates the supposed justification for such lyrical content: its status as unadorned testimony, as frontline reportage (56 – 59). 3 Snoop Doggy Dogg has even gone so far as to make the claim, on Dr. Dre’s track, ‘‘Lil’ Ghetto Boy,’’ that there is pedagogy in tales of misogyny and robbery: We expose ways for the youth to survive Some think it’s wrong but we tend to think it’s right So make all them ends you can make ‘Cause when you’re broke you break. The antiauthority resistance at play in the relativizing stance of ‘‘Some think it’s wrong but we tend to think it’s right’’ is telling; it posits that the violent (fictional) culture generated in narratives like those of Snoop Doggy Dogg is de facto a movement against the dominant, while simultaneously calling the listener’s attention to a certain desperation.
Because the great distance between the scene and the camera turns the inmates into ants, this shot clearly comments on the prisoners’ reification. Furthermore, during the course of the film, Norton is repeatedly juxtaposed with dead or suffering prisoners. Norton exploits the prisoners as slave labor and allows the use of violence to support his corrupt regime. For example, Norton permits Captain Hadley (Clancy Brown) to beat the inmate ‘‘Fat Ass’’ (Frank Medrano) to death and to brutalize the rapist Bogs Diamond (Mark Rolston) so severely that he is disabled afterwards.
3 (2005): 226 – 44. Forceville, Charles. Pictorial Metaphor in Advertising. London: Routledge, 1996. Fowles, John. The French Lieutenant’s Woman. 1969. London: Vintage, 2004. Gaddis, Thomas E. Birdman of Alcatraz: The Story of Robert Stroud. 1955. San Francisco: Comstock Editions, 1989. hooks, bell. Reel to Real: Race, Sex, and Class in the Movies. New York: Routledge, 1996. I am a Fugitive from a Chain Gang. Dir. Mervyn LeRoy. , 1932. Film. The Importance of Being Earnest. Dir. Anthony Asquith.