Download Georges Bataille Key Concepts by Mark Hewson, Marcus Coelen PDF
By Mark Hewson, Marcus Coelen
Georges Bataille (1897 - 1962) was once a thinker, author, and literary critic whose paintings has had an important impression throughout disciplines as different as philosophy, sociology, economics, paintings historical past and literary feedback, in addition to influencing key figures in post-modernist and post-structuralist philosophy equivalent to Jacques Derrida and Michel Foucault. in recent times, the variety of works released on Georges Bataille, in addition to the diversity of contexts within which his paintings is invoked, has markedly increased.
In Georges Bataille: Key strategies a world group of individuals supply an available creation to and survey of Bataille's notion. The editors’ creation presents an summary of Bataille’s paintings, whereas the chapters within the first part disguise the social, political, creative and philosophical contexts that formed his suggestion. within the moment half, every one bankruptcy engages with a key subject in Bataille’s philosophy, together with: artwork, eroticism, evil, internal adventure, heterology, faith, sacrifice, and sovereignty. the ultimate bankruptcy addresses Bataille’s literary writings.
Georges Bataille: Key thoughts is a useful advisor for college kids from around the Humanities and Social Sciences, coming to Bataille’s paintings for the 1st time.
Contributors: Giulia Agostini, Elisabeth Arnould-Bloomfield, Tiina Arppe, Marcus Coelen, Simonetta Falasca-Zamponi, Patrick ffrench, Marina Galletti, Nadine Hartmann, Mark Hewson, Andrew Hussey, Stuart Kendall, Claire Nioche, Gerhard Poppenberg, and Michèle Richman.
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Extra info for Georges Bataille Key Concepts
Sample text
For Bataille, fascism’s strength has been its ability to offer the sense of collective belonging which has atrophied in the individualist ideology of liberal democracy. Its appeal to the affective dimension gives it an advantage over communism, whose claims are rational – a scientific analysis of the production process and an appeal to a consciousness of the universal interest. Bataille, in the name of Contre-Attaque, declares the necessity of appropriating this power of the affects for the left.
Bataille tells us that he has to provoke himself against his own tendency to slip back into an anodyne acceptance of life within a limited but familiar world, and that his ambition is to provoke others to the same effect. The aspiration to attain the “extreme of the possible”, the apotheosis of non-meaning, he underlines, demands to be shared and communicated with others. One sees then that the work is not conceived as an exploration of extreme states for their own sake. Where the traditional pastoral role of philosophy is to dissipate anxiety by offering wisdom, this text – like certain forms of religious discourse – sets out to teach despair, demanding that one recognize and identify with the condition of non-knowledge that it describes.
Without this conviction, he writes, we remain a “question without issue” (IE, 31). Modern rationality and scientific knowledge have not fully acknowledged this absence of exit or term; they have merely imitated the authority of religion, and in this sense, remain theological in their foundations. The only way to free oneself from the belief in God, then, is through a confrontation with non-knowledge. The discourse on the absence of God and of non-knowledge in Bataille cannot be equated with what one generally refers to as atheism or scepticism.