Download Passionate Friendship: The Aesthetics of Girls' Culture in by Deborah Michelle Shamoon PDF
By Deborah Michelle Shamoon
This booklet lines the advance of women print tradition in twentieth-century Japan through analyzing the narrative and visible aesthetics of prewar women magazines. It explores the ways that that prewar tradition encouraged the improvement of postwar ladies comics.
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Additional resources for Passionate Friendship: The Aesthetics of Girls' Culture in Japan
Example text
Futabatei in this novel lays out one of the central conflicts of the early Meiji era, but, unlike other reformers of his day, such as Kitamura Tōkoku, he seems unable to make a definitive statement for or against ren’ai. Osei finds herself caught between Bunzō and her mother. Neither iro nor ren’ai fully satisfies her, and she is unable to adhere to either system of courtship long enough to be successful. As for Bunzō, he finds that ren’ai fails him, although he chauvinistically places the blame on Osei.
Prewar girls’ culture coopted the discourse of spiritual love (ren’ai) not to describe heterosexual love, which was fraught with danger and difficulty, but instead to describe the passionate friendships girls formed with each other. This chapter will examine the development of a private, closed world of girls that emerged in single-sex secondary schools and the discourse of that culture in girls’ magazines, where friendship between girls was expressed in the language of spiritual love. Magazines directed specifically at teenage girls began to appear in Japan at the beginning of the twentieth century, as publishers targeted school-aged children and teenagers as discrete marketing demographics.
For Osei, the choice suddenly becomes no choice at all. By the time she makes up her mind to pursue Noboru in the manner he expects, he has moved on to another girl. The final chapter of the novel is again taken up almost entirely by Bunzō’s thoughts as he watches Osei flirt with Noboru, and his observation of her behavior sums up his attitude toward iro: “The gay, noisy, carefree atmosphere was only superficial. Underneath lay a loathsome, greedy, self-indulgent, immoral, cruel mass. Gone was the spirit of communion which once bound them and the love [ai] which cleansed their selfish hearts.