Download Publishing and Cultural Politics in Revolutionary Paris by Carla Hesse PDF
By Carla Hesse
In 1789 French revolutionaries initiated a cultural scan that greatly remodeled the main easy components of French literary civilizationauthorship, printing, and publishing. In a breathtaking research, Carla Hesse tells how the Revolution shook the Parisian printing and publishing global from most sensible to backside, releasing the exchange from absolutist associations and inaugurating a free-market alternate of principles. Historians and literary critics have regularly seen the French Revolution as a disaster for French literary tradition. Combing via vast new archival assets, Hesse unearths as an alternative that revolutionaries deliberately dismantled the elite literary civilization of the previous Regime to create unheard of entry to the broadcast notice. Exploring the uncharted terrains of well known fiction, authors' rights, and literary lifestyles less than the phobia, Carla Hesse bargains a brand new standpoint at the courting among democratic revolutions and sleek cultural lifestyles.
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Example text
And with it went many of the oldest Parisian publishing fortunes. "[111] Similar laments echoed both publicly and privately throughout the Paris publishing world from 1789 through 1793. "[118] At the end of 1790, the bookseller Jean-Augustin Grangé presented a collective Mémoire to the National Assembly on behalf of the printers, publishers, and booksellers of the capital. "[119] Laments and testimonies continued over the next several years. "[125] Were these men and women telling the truth? Or were they merely evoking a picture of financial plight for political and economic purposes, to defend and enhance their monopoly on the printed word?
No trace of the outcome of this case remains, unfortunately. Nonetheless, it is evident that under Pierre Manuel's administration the Police Committee had taken over the surveillance and seizure functions of the Paris Book Guild and that the municipal authorities intended to do everything in their power to protect the property rights of living authors and the publishers to whom those authors had ceded their property. Nor was the Bossange-Guillaume case an isolated incident. [26] A visit to Rochelle's shop by the police commissioners of the district bore out his accusation.
I can estimate the nonvalue of my classical books at 60,000 livres . . [179] The classical, legal, and religious culture of the Old Regime ceased to reproduce itself. The elites of Old Regime cultural commerce were driven under along with the culture they produced. Between 1789 and 1793 eighteen members of the guild were forced to bankruptcy. Another twenty-two gave evidence of being on the verge of default. These were not establishments on the margins of Old Regime publishing but those at its very heart: the Debures, Nyons, Moutards, and Méquignons.