Download Rebel without a cause: approaches to a maverick masterwork by J. David Slocum PDF
By J. David Slocum
Assesses the layered meanings and protracted international legacy of an American movie classic.
Five a long time after the creation and preliminary unencumber of insurgent with no reason, this e-book examines either the advanced ancient second within which the movie used to be made in addition to its carrying on with and pervasive effect on movie this present day. The individuals music how the movie maintains to talk to different audiences as a touchstone for imagined anxieties over early life and coming-of-age, conventional values of relations and neighborhood, threats from overseas, and the provocations of mass or client society. even supposing the explicit assets and motivations for uprising have shifted, what has persevered is the film’s singular energy to symbolize uprising in what may well rather be obvious because the daily, and to maneuver audience to consider its causes.
J. David Slocum is affiliate Dean of the Graduate university of Arts and technological know-how at big apple college and is the editor of Violence and American Cinema.
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Additional info for Rebel without a cause: approaches to a maverick masterwork
Example text
Shattuc (152). 14. Mulvey (127). 15. Byars (129). The observation follows from a point made with some regularity by critics of the genre that melodramatic crises and conflicts occur within the social and domestic order. For example, Stephen Neale terms these crises and their resolutions “an in-house arrangement”; see Neale (22). 16. See Kehr. 17. See Rosenbaum. 18. See, for example, both Alexander and Spoto. 19. Crowther (March 10, 1955). 20. McCann (148). 21. Lindner (2). 22. Some have questioned Ray’s “original story idea” credit, claiming that Ray adapted The Blind Run.
31. Eisenschitz (238). 32. Simmons (56–63). See also McGee and Robertson (93). 33. Clendenen and Beaser (17–19, 77–78). 34. Eisenschitz (234–38). 35. Brog (October 21, 1955). 36. Land (October 26, 1955). 37. ” (October 29, 1955). 38. Crowther (October 27, 1955). 39. Truffaut, quoted in McCann (141). Works Cited Alexander, Paul. Boulevard of Broken Dreams: The Life, Times, and Legend of James Dean. New York: Viking, 1994. Biskind, Peter. Seeing Is Believing: How Hollywood Taught Us to Stop Worrying and Love the Fifties.
While historically specific, this incisive reading of the film is also an exemplary instance of how film narrative and images can be linked to social and cultural contexts—both at the time of production and later. The next chapter focuses upon the historical reception of Rebel in some Western European countries where the movie was the subject of both success and controversy. Indeed, Daniel Biltereyst claims that the very focus on censorship, controversy, and “troublesome images” in the film may have been productive in studying social response to the representation of core social and ethical issues.