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By Downs, Thomas Nelson; Hilliard, John Northern
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Extra resources for The art of magic
Example text
No? Well But the card has ar- Will you count the cards in your packet? In the beginning you had the even packet, now? (Spectator counts the cards), you hold rived nevertheless. Wait a moment, And I believe? sir. odd number, while (Performer have the even number. " Isn't it The secret of this trick is the essence of simplicity. ) the audience will never suspect the real condition of affairs. Consequently, it does not matter upon which packet the single The result is the same in either case. an admirable impromptu t;rick and a valuable adjunct to any magician.
All that to cut the cian may pack desire. at the protruding card By and is necessary now on top of left-hand packet, which leaves the drawn card at the bottom of the pack. It can now be discovered in any fashion the magiis shuffle off continuing the ordinary shuffle the card be brought to the top. It will be marked that this method of shuffling does away with the pass, for which reason it is a valuable variation to the conventional method of obtaining pos- may drawn card. This method may also be used as a By means of the "jog" the operator will experience no difficulty in keeping track of any number of cards that session of a false shuffle.
Instead of holding the thumb and second finger of the right hand at the exact center of the two ends of the pack, as directed in the first method, the in performer may find the flourish more easily acquired by placing the second finger at the upper right corner of the pack and the thumb at the corresponding upper left corner. This is a mere detail, however, and the student is advised to experiment with both positions, and to adopt the method that gives the best results. Third Method — This is a variation of the second method.