Download The Blackwell Guide to Theology and Popular Culture (Wiley by Kelton Cobb PDF

By Kelton Cobb

The Blackwell consultant to Theology of renowned Culture outlines a number of normal theories of pop culture, identifies theologians and theological techniques which are conducive to interpreting pop culture, and explores spiritual issues which are announcing themselves via well known videos, novels, song, tv indicates and advertisements.
• A well timed exam and contribution to the quickly increasing box of theology and pop culture
• Locates the theological research of tradition along political, sociological, financial, aesthetic and mental analyses
• Surveys the paintings of non secular and theological students who've became their cognizance to pop culture
• Considers vintage Christian thinkers who've wrestled with tradition, similar to St. Paul, Tertullian, Augustine, Schleiermacher, Tillich, and Ricoeur
• Proposes a style for analysing tradition to figure its spiritual content material
• Identifies spiritual subject matters in pop culture
• makes use of illustrations, starting from the fiction of Nick Hornby to 6 ft less than
• An appendix offers lists of movies, novels, tv sequence, customer items, architectural works, cultural occasions, and company icons that lend themselves to theological analysis.

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Extra resources for The Blackwell Guide to Theology and Popular Culture (Wiley Blackwell Guides to Theology, Volume 3)

Example text

The media, in Marshall McLuhan’s well-known phrase, is the message. Yes, the media-world delivers the goods of other spheres, but only when doing so corresponds with serving its own ends. And that inevitably means modifying whatever other goods it handles. A simple example of this was the appearance of the 3-minute hit song in the 1950s, a formula that was necessitated by the physical limitations of the 45 RPM record disks that juke boxes required and had become the recording industry standard.

And no longer say “since always,” and “forever” . . Not that I want to beget a child or plant a tree right away. But it would be quite something to come home after a long day and feed the cat, to have a fever, to have blackened fingers from the newspaper, to be excited not only by the mind, but, at last, by a meal, the curve of a neck, an ear. To lie! through the teeth! To feel your skeleton moving along as you walk. Finally to suspect, instead of forever knowing all. ” For once, to be enthused over evil.

If Disney’s cartoons were reinvigorating an atrophied memory of the David and Goliath story, as well as forgotten assurances of the Beatitudes, he was drilling into a deep layer of biblical advocacy on behalf of the victims of political oppression and tyranny. He accomplished this by casting folktale characters in the crucial roles – plodding tortoises, lithe fairies, diligent ants, elves, dwarves, wise old trees, talking crickets, flying elephants – in effect, repopulating the disenchanted world of modernity with otherworldly avatars of a proven message of resistance to oppression.

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