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By Leslie Carol Roberts
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Sample text
Cold cannot be imagined. Landscape. Fantasy. Desire. How we place ourselves in a landscape. How we tell the story of a continent covered in ice. How we make sense of why it exists in the first place, and more importantly, what are we going to do there? New Zealand houses more Antarctic museums than any other country in the world. In Christchurch, a city of 350,000 on the South Island, there are three museums within a thirtyminute drive of one another. Depending on how you count, more could be added to that list.
The year was 1902 and Doorly served as third officer. He was also an accomplished pianist and parlor entertainer. He worked with the chief engineer, J. D. Morrison, to create songs, then performed during the ship’s musical evenings. Seamen liked bawdy songs, real eyebrow raisers not designed for polite company, edgy material that helped to define their rough-hewn subculture. When you hear the lyrics and then bring to mind what comes out of iPods these days the idea that times change comes rather sonically to life.
Frank Worsley had another agenda, I believe. Much of his writing captured the years during which he had come of age as a mariner, 1895– 1922, which precisely coincede with what historians now call the Heroic Age of Antarctic Exploration. These years were akin to a later generation’s face for the Moon: Innovation, jealousy, military might, fuel, grudges, training, avarice, gossip, food, clothing, leadership, envy, and pure luck. It was that rare moment in human history when the people with the right balance of all of the above would win a prize of incomparable, yet wholly unquantifiable, value.