Download The Philosophy of Clint Eastwood (The Philosophy of Popular by Richard T. McClelland, Brian B. Clayton PDF
By Richard T. McClelland, Brian B. Clayton
Famous for his masculine swagger and gritty roles, American cultural icon Clint Eastwood has nearly outlined the archetype of the cruel lawman. starting together with his first on-screen visual appeal within the tv sequence Rawhide (1959—1965) and solidified by means of his portrayal of the "Man without Name" in Sergio Leone's "Dollars" trilogy (1964—1966), he rocketed to stardom and shortly grew to become the most recognizable actors in Hollywood. The Philosophy of Clint Eastwood examines the philosophy and psychology in the back of this flexible and arguable determine, exploring his roles as actor, musician, and director.
Led by way of editors Richard T. McClelland and Brian B. Clayton, the individuals to this well timed quantity talk about quite a few issues. They discover Eastwood's arresting critique and revision of the normal western in motion pictures equivalent to Unforgiven (1992), in addition to his attitudes towards violence and the linked inspiration of masculinity from the soiled Harry video clips (starting in 1971) to Gran Torino (2008). The essays additionally chart a shift in Eastwood's wondering the price of so-called rugged individualism, a component of lots of his early motion pictures, already puzzled in Play Misty for Me (1971) and decisively rejected in Million buck child (2004).
Clint Eastwood has confirmed to be a dynamic actor, a perceptive and bold director, in addition to an fascinating public determine. interpreting topics similar to the function of civil morality and group in his paintings, his use of topics of self-reliance and spiritual expertise, and his cinematic sensibility, The Philosophy of Clint Eastwood will offer readers with a deeper experience of Eastwood as an artist and light up the philosophical conflicts and resolutions that force his movies.
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Extra resources for The Philosophy of Clint Eastwood (The Philosophy of Popular Culture)
Example text
The Gold Dust Twins marketing campaign attempted to capitalize on racist imagery without using racist terminology. Other advertisers were not so kind. Chlorinol bleach soap, for example, promoted its product with an ad featuring a raft occupied by three African American children, two dark and one light skinned. ”16 As we have seen earlier, in many cases the use of racist terms helped sell products. As with the usage of racist terminology like “nigger” or “coon,” advertisers often utilized language in their products.
Davis and developed the Aunt Jemima character. Over the course of the twentieth century, Aunt Jemima went through a number of minor changes to her image. However, these changes 30 Racism in American Popular Media tended to be subtle rather than substantive. Over the decades, the asexual, chubby, loyal domestic represented in Aunt Jemima has remained. Aunt Jemima represented a safe and reassuring figure, a character (or caricature) from an imagined past that fit neatly with Lost Cause mythology and the fiction of the slave South as a happy, idyllic, prosperous place, in which kindly masters and nurturing mistresses oversaw the work of loyal and contented slaves.
Pepsi’s growth in popularity was rapid, with over 240 bottling franchises in the United States by 1910. ” Such claims were possible because the company did not have to remove any “dangerous ingredients” from its product after the federal government’s Pure Food and Drug Act (1907) clamped down on the infusion of narcotic substances in products like soft drinks (Coke famously contained cocaine during its early years of production). 31 It was the African American market that Pepsi was truly able to capitalize on.