Download The Senses of Touch: Haptics, Affects and Technologies by Mark Paterson PDF
By Mark Paterson
Difficulties of contact and tactility run as a continuing thread in philosophy, psychology, clinical writing and representations in artwork, from old Greece to the current day. now not purely quick dermis sensation, touching and feeling are inextricably woven into embodied studies which are emotional and expressive, own and interpersonal, and mediated via applied sciences. reading the function of contact in artwork, reminiscence, electronic layout, developmental psychology, studies of visible impairment, and tactile treatments, The Senses of contact demonstrates the kinds of sensory adventure, and explores the varied diversity of our "senses" of contact.
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Additional resources for The Senses of Touch: Haptics, Affects and Technologies
Sample text
We will revisit these positions through the lens of psychology and developmental psychology later. The problem is perhaps compounded by the fact that first-person historical accounts of visually impaired and blind subjects rarely speak of the specifically tactile experience of space, and those physicians involved have neither investigated nor problematized it rigorously. g. 2 Molyneux’s question therefore stands as a challenge to the scientific and physiological knowledge of the time, eliciting selective empirical testimony to a philosophical problem, and – through discussions of space, touch and sight – interprets it as a key issue in the debate between innate ideas and sensory experience.
Experiencing one’s own lived body, for example, can occur through permutations of these localized sensations, one hand touching another, or eyes perceiving hands. As Carman explains, ‘The body as such emerges in the coincidence of sensing and being sensed, specifically in my sensing my body sensing itself’ (1999:213). Sight alone is insufficient for this. You cannot see yourself seeing, but by touching oneself this involves the dual aspect of touching (simultaneously touching and being touched), grounds the localized sensations, and fragments the felt coherence of the body in the natural attitude.
For example, sight moves from potentiality to actuality by the effect of sensible form, a specific colour, acting on the sense organ and causing it to see (De Anima II, 12). This alteration model is reiterated in a passage concerning the general problems of perception, where he states: ‘For in just the way that both action and affection are in the thing that is affected not in that which acts, the activity of the sense-object and the sense faculty are in the sense faculty’ (426a12–15). It is not the activity of the objects themselves, then, but the way the sense faculty (aesthesis) is affected or altered; and hence the sensory faculty allows both actual and potential activity, and furthermore has the capacity to be receptive.