Download The Triumph of Vulgarity: Rock Music in the Mirror of by Robert Pattison PDF
By Robert Pattison
The Triumph of Vulgarity in a thinker's advisor to rock 'n' roll. Rock song mirrors the culture of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can nonetheless be heard within the punk rock of the Ramones, and the spirit that encouraged Poe's Eureka lives on within the lyrics of speaking Heads. Rock is vulgar, Pattison notes, and vulgarity is anything that prime tradition has lengthy despised yet not often stricken to outline. This ebook is the 1st attempt in view that John Ruskin and Aldous Huxley to explain extensive what vulgarity is, and the way, with assistance from rules inherent in Romaniticism, it has slipped the restrictions imposed on it by means of sophisticated tradition and verified its personal loud arts.
The publication disassembles a few of the myths of rock: its roots in black and people tune; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock lovers; and rock's high-voltage picture of the fashionable Prometheus wielding an electrical guitar. Pattison treats those myths as vulgar opposite numbers in their originals in sophisticated Romantic paintings and gives an outline and justification of rock's primary position within the social and aesthetic constitution of contemporary tradition. At a time whilst rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is needed studying for a person drawn to the place rock comes from and the way it really works.
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Extra resources for The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism
Sample text
Let nothing be lost upon you. Be always searching for new sensations. Wilde followed Ruskin in making the noble qualities that are the opposites of vulgarity passionate and emotional, not rational and restrained. Like Ruskin's, his idea of vulgarity is an aesthetic marker first, and only incidentally an element of class. But in embracing Ruskin's Romantic passion, Wilde ignored his classi- The Triumph of Vulgarity 19 cal idealism. The synthesis had been too fragile, and though Wilde is the self-proclaimed archenemy of vulgarity, in his work the vulgar wins a signal victory as Romantic sensibility is purged of the last remnant of reasoned classical restraint.
There is no transcendent validity. There is only the swarming many making up the one. Pantheism is necessarily vul- 24 The Triumph of Vulgarity gar because it rejects the transcendence from which refinement springs, because it delights in the noisy confusion of life, and because it sacrifices discrimination to eclecticism. The pantheist himself often recoils from the vulgar consequences of his creed and seeks to escape them by a retreat into what philosophers call monism, which holds that though the universe is made up of infinite and equal events, our attention should be directed to the single mystery that unifies them.
The pantheist is a sports enthusiast. His virtues are compassion for each state of existence, exhilarated sympathy for the energy of process, and genial acceptance of infinity's paradoxes. Allen Ginsberg, Whitman's most devoted disciple, pictures the master in "A Supermarket in California": I saw you, Walt Whitman, childless, lonely old grubber, poking among the meats in the refrigerator and eyeing the grocery boys. "A Supermarket in California" is a fitting memorial to Whitman, and the tribute offered to him by his home town of Huntington, Long Island, is more apt than ridiculous.