Download The Wizard of Oz and Philosophy: Wicked Wisdom of the West by Randall E. Auxier, Phillip S. Seng PDF
By Randall E. Auxier, Phillip S. Seng
From the bedtime tale by means of L. Frank Baum to the vintage 1939 movie, no tale has captured the imaginations of generations of kids — and adults — like The Wizard of Oz. the tale of Dorothy’s trip via ounces, the colourful characters, locations, songs, and discussion have permeated pop culture all over the world.
The members to this quantity take a really shut examine The Wizard of Oz and ask the cruel questions about this glorious story. They ponder whether anyone can own a advantage with no understanding it, and if the world of ounces was once relatively the dream or if Kansas used to be the dream. Why does water soften the depraved Witch of the West and why does Toto appear to understand what the opposite characters can’t appear to work out? The articles incorporated take on those compelling questions and extra, encouraging readers to have discussions in their personal.
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Additional info for The Wizard of Oz and Philosophy: Wicked Wisdom of the West (Popular Culture and Philosophy)
Example text
Here is an art that goes beyond contemplation. Indeed the ravishing nature of certain popular art forms presents a fundamental paradox. One can be seduced into a chain of ideas or images that would normally seem alien. An example from TV: the yuppy soap series thirtysomething was filmed in a very sensuous manner, particularly the central couple, Michael and Hope. Thus, although at times one wanted to object that we were being presented with a kind of dream couple, with no connection with ordinary life, the sheer beauty of the spectacle being offered (and Michael and Hope were very beautiful) could dissolve that objection.
Are there cracks in the facade of patriarchy, or huge splits? These questions are of great moment in the study of masculinities, since patriarchal capitalism has needed the masculine gender as one of its main buttresses. Therefore cracks or splits in traditional 'virile' masculinity, and representations of it, may well indicate at least a weakening, and possibly a disintegration, in patriarchy and capitalism themselves. 4 Text and audience The relation between text and reader has been one of the foci for research in cultural studies, but there has been a wide spectrum of views on this issue.
2 Jones gives us many fascinating ideas about Hamlet's delay in taking revenge for his father, but he almost seems to suggest that Hamlet 35 36 Male Myths and Icons is a great and famous play because of its oedipal hero. This reduces the play enormously. Hamlet is more than a study in oedipal conflict! For one thing, it is one of the great modern dissertations on identity. Hamlet is preoccupied above all with himself, and constantly interrogates himself, explores his own consciousness. And this self-interrogation is expressed in the subtle and complex texture of Shakespeare's language.