Download Techniques of the Selling Writer by Dwight V. Swain PDF
By Dwight V. Swain
This ebook offers stable guideline for folks who are looking to write and promote fiction, not only to speak and research approximately it. It provides the history, insights, and particular methods wanted through all starting writers. the following you will the way to workforce phrases into reproduction that strikes, stream into scenes, and scenes into tales; find out how to increase characters, find out how to revise and varnish, and at last, the best way to promote the product.This is the e-book for writers who are looking to flip rejection slips into cashable exams.
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Example text
The bedroom? The bathroom? What are they doing? Are they working? Playing? Loving? Hating? Worshipping? Sinning? Learning? Forgetting? —And, closely related, what does your reader notice as your people go about these multitudinous activities? Does he see sunrise, or mudhole? Beauty, or blemish? Is he caught by the smell of frying bacon, or the rasp of saw teeth biting into a pine board, or the smoothness of velvet beneath his fingers, or the taste of a sucked anise drop? A bellow of rage, or an eyelash flicker?
Projected, this principle means that a writer should have theories on every phase of writing—how to get ideas, how to plot, how to build conflict, how to bring characters to life, how to create the right feelings in a given reader. And, he should think through and take note of the why behind each and every how. Otherwise, how can he discover the procedures most effective for and best suited to him, in terms of his own temperament and tastes? Nor does it matter whether these theories are right or wrong in the view of objectivity or the critics.
They modify verbs . . describe the manner in which an act is performed: angrily, wearily, animatedly, gloomily, delightedly, smilingly. It does get a little tiresome, doesn’t it? Remedy: Wherever practical, substitute action for the adverb. “Angrily, she turned on him”? Or, “Her face stiffened, and her hands clenched to small, white-knuckled fists”? “Wearily, he sat down”? Or, “With a heavy sigh, he slumped into the chair and let his head loll back, eyes closed”? Vividness outranks brevity. At least, sometimes.